If You watch Indian Serials.. Then you certainly know what I’m Talking about.!
In our Indian dramas they sleep with a heavy load of jewellery and a truck load of make-up. I bet ya neither among the Amabanis or Birlas do that. So just from the look and feel the viewers are given a tour of an unreal fanciful setup. Its as if they’re all decked up waiting for their Prince Charming, if in case he stopped over past midnight, No taking chances.! ( TITLE REFERENCE!! 😉 ).
2. The Mojo-Jojos
People in the real world don’t really have that kind of time, most of us dont even have time to look past ourselves or for that matter take a peep into our own lives.. forget interfering into others trivial matters, and scheming and plotting jealously over their success.
3. ‘Tu Tu Main Main’ Level Infinity
These Indian-Serial Bahus and Saas’ have real big unsolved problems, they conspire against each other out of no reason with the same zeal kids show in breaking their new toys after a while of showering over-affection, its like killing a lamb after feeding it for weeks.
4. Immortality Potion
Characters that die and re-re-re… resurrect. Because just resurrecting back to life is too mainstream, our characters make a come back as totally different human beings which Ekta Kapoor slyly classifies as “Plastic Surgery” effect. Thats when I learned that a plastic surgery could change the shape -color of your eyes, shape of your face, your voice and basically every feature of your body from your hieght to your weight *Sarcasm*. Duh..
5. The Complicated Mother Teressa’s
Not to mention the Utopian Love- triangles and -Polygons they introduce among the characters (or the Utopian Archana in this case.. thats the legacy she hands down to her kids and their kids.. ). This kind of love isn’t restricted just within the limits of their boyfriends or resurrecting husbands, It could be the mother, sister ,daughter or anyone in that case.
6. The Flare- ers
The basic problem starts when they over-express themselves, be it in terms of their facial cosmetics or their impractical love bounds and the primary most is their over-reaction to situations, more so like a balloon at the needlepoint. Don’t really understand if its their imperfect acting skills or its the director to be blamed. Whatsoever the explanation be, it just worsens the already wallowing-in-mediocrity storyline.
Then comes the part where the director is done with the story and there is nowhere ahead the plot could move. The road is like blocked so you better STOP! and anybody would stop but not our director. Here is when the car takes a reverse and tit-bits of the story are repeated, a small part is taken from sibling serials, a modest piece stolen from any random movie that even remotely fits in. And Lo! The Story never ends.
P.S: This Post Was written under the influence of after-watching-Indian-Serial syndrome.